WORLD EXPO 2025 OSAKA JAPAN
After 425 years she has returned to Japan, De Liefde. The Ship.
425年ぶりにリーフデ号が日本に帰ってきました。
After 425 years she has returned to Japan, De Liefde. The Ship.
425年ぶりにリーフデ号が日本に帰ってきました。
BOW | 50 x 40 CM ACRYLICPAINT EMULSION SAND ON CANVAS | SASJA HAGENS 2024 | AVAILABLE_
WHERE: ACKERSDIJKSTRAAT 20, ROTTERDAM
OPEN : SATURDAY 20 SEPTEMBER 1100-1700 H
OPEN : SUNDAY 21 SEPTEMBER 1100-1700 H
AVAILABLE ART : TAKE A LOOK
Great to meet you here, with greetings from the gallerista’s Celeste Richardson & Jessica Wit
Wees welkom op zondag 14 september vanaf 17:30u.
Prijs: €75,- per couvert (excl. drank).
Reserveer direct hier
GRAW en Atelier Consommé presenteren een unieke beleving voor kunstliefhebbers, verhalenverslinders, verzamelaars, schatzoekers en andere romantici: een exclusief diner bij Ateliercomplex Ackersdijkstraat, een week voor het weekend losbarst voor iedereen. Verdiepend en intiem op een GRAW locatie met deelnemende kunstenaars en hopelijk met jou!
Het eten gebaseerd is op de visie van de kunstenaars, tussen de kunst, met de kunstenaars zelf aan tafel. Niet zomaar een diner op locatie, maar een multidisciplinaire avond waarin proeven als extra zintuig aan de kunstbeleving wordt toegevoegd. Het thema Sirene komt tot leven in de maritieme werken van Sasja Hagens en de vrouwelijke, geborgen, gelaagde werken van Jolanda Linssen– samen vertaald naar een diner dat van je bord af zal loeien.
METROSTATION DE AKKERS SPIJKENISSE
COMMISSION
PORT OF ROTTERDAM & DEELGEMEENTE NISSEWAARD
MURAL | PUBLIC ART |
DE AKKERS, SPIJKENISSE | FOUR COLUMNS | MURAL |
AND WE DESIRE ADVENTURE BY SASJA HAGENS
DELIVERED JULY 2025
With recognizable yet abstracted forms I tell this maritime story. Here I depict unknown landscapes. Longings for new places. Ship-like shapes are sometimes still moored at the quay, and you can also see ships glistening in the distance. Do you recognize your own story?
VULCANO | MOUNTAINS | CRANES | HOEK VAN HOLLAND |
CORAL DESTINY | 230 x 170 CM | ACRYLICPAINT, EMULSION, SAND ON CANVAS | SASJA HAGENS | AVAILABLE (EMAIL ME FOR THE PRICELIST) CHECK AVAILABLE ART HERE SASJAHAGENS.NL/SHOP
|P I C T U R A | H O T D A Y T O D A Y
S U M M E R S H O W
|with Anne Marie Spijker | Aquil Copier | Anuli Croon | Inez Smit | Sasja Hagens
What an incredibly beautiful place this is. This association has existed for over 250 years, since 1774 (!). It was started by a group of gentlemen (of course) who painted the landscape, the harbor, and the Merwede River. The rooms are designed so that daylight falls perfectly on the paintings. It works.
A full-circle moment to be able to exhibit here, following in the footsteps of my predecessors. Vincent van Gogh also exhibited here in 1897. To name just one illustrious...
ACKERSDIJKSTRAAT 20, ROTTERDAM
FRIDAY 28 MARCH 2025 12-18 H
SATURDAY 29 MARCH 2025 12-18 H
SUNDAY 30 MARCH 2025 12-18 H
AVAILABLE PIECES : SHOP
Looking forward to meet you.
DE MAAS ROTTERDAM | 28 JANUARY 2025 | PRESENTATION|
Harbour ia about life, and life is about vessels…
Take a look at the #49 issue of CREATE!,
February 2025
‘...There is no balance. For me, there is no way I can meander through life and art and come to something good. The level of art is too high globally. So simple is that. If you want to connect, you just have to go. Unapologetically. This is how it works for me—artistically and commercially.'
-Sasja Hagens, CREATE! MAGAZINE inteviewed by Stephanie Chefas, Galleryowner and curator by Gallery CHEFAS PROJECTS, Portland Oregon & Los Angeles L.A. CA
INTERVIEW CREATE MAGAZINE
Can you describe the core themes and emotions you explore in your current body of work?
I embrace the maritime art theme. It ‘s a classic art theme, just like nudes and landscapes. I do hope you see more in my work than ‘just ships’.
The forms I use are marine shaped. They arise from my fantasy, I make them up from my experience, my knowledge about ships and my childhood memories.
I believe every good maritime artwork is about life, about adventure, about loss and desire.
How does your creative process unfold from concept to completion?
With my painting I start completely abstract, no fear. Let my hands do the thinking. I am focusing on volume, rhythm and colours. It is the 20+ experience I count on. After I look at the abstract colors, the structures and the movement, I let my imagination flow. I believe that I can explore so much more by letting the paint flow, letting the ideas come, and be patient. The more experience you have as an artist, the more patience you have. My confidence grows through the years and I am just loving it!
With my sculptures it is a little different. I start with clay or styrofoam so I am forced to choose the shape early in the process. Just like my paintings, I look for the essence which I can find in the abstraction level . I search for ’ a sense of ship’.
What inspires you most outside of the visual arts, and how does it influence your work?
Art is about communication.
Every person follows his own path, and the beauty lies when there is a moment of connection with another human being. I love people and I love to have conversations about almost anything. Art might work like that. Look, everyone wants to be seen. And if you succeed in making a connection with someone, a conversation, listening to music, sitting with family, that is it.
I have a deep desire to connect, to show my colours to another. Does it resonate?
How do you navigate the balance between personal expression and the commercial aspects of your career?
I don't. I just go headfirst into my art. I believe that is the only way.
There is no balance. For me there is no way I can meander through life and arts and I come to something good. The level of art is too high, globally. As simple as that.
If you want to connect, you just have to go. Unapologetically.
This is how it works for me. Artistically and commercially.
What message or feeling do you hope viewers take away from experiencing your art?
Good art shows the world in another light.
I love it when people; say, ‘I visited the harbour, and I saw your paintings!’
AMIE
RESIN MULTICOLOR
45 x 16 x 18 CM
UNIQUE & HANDMADE
SASJA HAGENS 2024
Het is een eer om te mogen bijdragen aan het mooiste goede doel van Rotterdam! Ik wens deze stichting Vrienden van Sophia een prachtig lichtjesdiner2024, een hele mooie veiling en natuurlijk een recordbedrag aan donaties. Voor meer informatie over dit kavel, het diner en de stichting, klik op Sophia.
Foto:Frank Zwinkels De Wijkkrant september 2024
“Ik hoop dat je op mijn schilderijen meer ziet dan alleen een schip. het gaat ook over avontuur, hartstocht, afscheid nemen en liefde.“ -Sasja Hagens
“Ik hou van schilderkunst, ik hou van kleur en ik hou van materiaal. Hoe meer verf hoe beter.” -Sasja Hagens
APOLLO ON SHOW AT GROOT ROTTERDAMS ATELIER WEEKEND 2024 AT STUDIO SASJA HAGENS
SATURDAY 21 SEPTEMBER 2024 STUDIO OPEN 10-18 H
SUNDAY 22 SEPTEMBER 2024 STUDIO OPEN 10-18 H
AVAILABLE PIECES? www.sasjahagens/shop
STUDIO JUNE 2024
ROYAL DESTINY | EDITION 57 | sold out
PICK UP: FRIDAY 26 APRIL &
SATURDAY 27 APRIL 2024
OPENING HOURS : 10-18 H
ACKERSDIJKSTRAAT 20, ROTTERDAM, THE NETHERLANDS
LITHARGE VAN VEEN & MUS X HAGENS 2024
VAN VEEN & MUS X SASJA HAGENS
VIDEO INSTALLATION : LITHARGE
VIDEO: VAN VEEN&MUS
PHOTOGRAPHY: VAN VEEN & MUS
SOUND: SEMMUS.MUSIC
SCULPTURES: SASJA HAGENS
FIRST VIDEO PRESENTED OF THE NEW COLLAB VANVEEN&MUS X SASJAHAGENS
Hereby we’d like to present you the sneak preview of the video.
Litharge is the name for lead oxide, if heated with tin oxide you get this bright (poisonous) yellow. In the 17th century led tin yellow was used by famous painters like Rembrandt to resemble gold.We are happy to show you this new video in Rotterdam.
OPEN STUDIO
OPEN:SATURDAY 3 FEBRUARY 10-18 H
OPEN: SUNDAY 4 FEBRUARY 10-18 H
LOCATION: ackersdijkstraat20.nl / Rotterdam
DRYDOCK | 40 x 50 CM |ACRYLICPAINT EMULSION SAND ON CANVAS |2024 |
Dear fellow harbour friends,
My name is Sasja Hagens
I am honored to be asked for the second time to deliver the artworks for the ESPO AWARDS 2023
‘The Colours of ESPO’ .
The harbour is where my heart is. I have been painting the Harbours for over 25 years
The harbour is so much more than business, moving commodities and increasing profits.
Harbours are far more than that.
Harbour is about life
Ships are vessels for our desire
And we desire adventure.
And as we’re sailing away, looking for opportunities,
We might suffer loss ,
We might experience joy.
We learn.
A ship as a metaphor for vigour, desire and life.
I wish all contestants of the ESPO award 2023 competition good luck!
PART OF ROTTERDAM NOW PART OF AMSTERDAM
Jeroen ter Brugge, Conservator Maritime collections adds the book PART OF ROTTERDAM // SASJA HAGENS to the Amsterdam Rijksmuseum Library.
By Aad Hoogendoorn- NRC
Dit jaar is mijn atelier weer geopend tijdens het Groot Rotterdams Atelier Weekend https://www.grootrotterdamsatelierweekend.nl.
OPENINGTIJDEN: ZATERDAG 16 - ZONDAG 17 SEPTEMBER 2023
ADRES: ACKERSDIJKSTRAAT 20, ROTTERDAM 10.00-18.00 UUR
Check alvast beschikbaar werk
TUGS IN ACTION #9 | 30 x 40 CM | ALUMINIUM FRAMED | ACRYLICPAINT EMULSION ON CANVAS | SASJA HAGENS | 2023 | COMMISSIONED FOR DAMEN GORINCHEM, THE NETHERLANDS
DAMEN SHIPYARDS LOGO
A new series of paintings in commission for Damen Shipyards Gorinchem, The Netherlands.
TITLE: TUGS IN ACTION
SERIES OF 8
ACRYLICPAINT EMULSION ON CANVAS
summer 2023
NEFS DINNER WITH SPECIAL GUESTS :
ALEXANDRA VAN DONGEN, CURATOR MUSEUM BOIJMANS & IRENE JACOBS, CONSERVATOR ROTTERDAM MARITIME MUSEUM (FULL)-INVITATION ONLY-
Verhalenhuis Belvédère Rotterdam
Verhalenhuis Belvédère Rotterdam